His designs are meticulous - from location to font to the way a daughter dresses like her mother in Hermes, the suits - immaculate grey flannel, bottle green velvet, double-breasted tan corduroy (and the duck-egg blue rubber, of course), the stationery and the modes of transport - bicycles, ships, trains, garbage trucks and tunnels.
Naturally I am talking about Wes Anderson, but you knew that, didn't you? For years I have been a fan of his films, since I saw the Royal Tenenbaums in the Screen cinema on my own one afternoon in Dublin in 2001 and was captivated by the dry melancholy of his characters and the fabulous, slightly timeless, slightly retro wardrobe and set designs.
Max Fischer's wonderful style in Rushmore has been cleverly discussed (and translated for girls!) by Lost in the Forest, but there are endless other characters each deserving of a dedicated blog post - Margo Tenenbaum of The Royal Tenenbaums, with her neatly fitting fur coats and her wonderfully odd bedroom with the dramatic Scalamandre wallpaper, Steve Zissou of The Life Aquatic with his red wool cap and custom stationery from Smythson, Peter Whitman from The Darjeeling Limited in his suits designed by Marc Jacobs for Louis Vuitton (who also supplied the wonderful luggage) and wonderful oversized tinted spectacles... where to stop?
Details like the yellow fonts and 20 year old TRS-80 computers in the lab on the Belafonte in The Life Aquatic (thanks to Starring the Computer for the id!) contribute to the strong eighties feel, but each film also appears to be set today.
Now, of course, we have the Fantastic Mr Fox, which you will of course have already seen, with the suitably fantastically attired Mr Fox in a double breasted thick corduroy suit (no loafers for him though - a fox has to be quick on his feet - although normally you could write a blog post on shoes in Wes Anderson movies alone). I won't review the film for you - it goes without saying that I loved it - style, script, plot, music and animation - all of it was wonderful.
I should really attempt a series of posts on Wes Anderson, each dealing with a different aspect of his design, rather than present you with a mangled series of short thoughts here. I know from experience that long posts do not keep readers' attention, so I will not occupy any more of your morning pointing out details now. Perhaps I will come back to you in a couple of weeks with a post on recreating the Anderson look in your own home or wardrobe...
Which is your favourite Wes Anderson movie? Why?